Productions | Enhance Your Marketing

Film production equipment. Cinema Camera. Drone. Underwater. Nauticam. Editing. Natural History. Gear.

So much is sacrificed while creating an extraordinary experience. But if it isn’t marketed effectively, It will go unbooked.

I’m not a marketing specialist, and that’s probably where marine eco tourism operators should start. However, when it comes to producing the visuals, you won’t find anyone better value than me.

If you want that skillset, or you’re after a more affordable marketing package that includes strategy - this is for you.

I craft specialised media products to meet your needs, targeting every stage of a guests booking journey.
About us videos, developing trust with your target market
Product videos to inform guest and travel agents, saving you hours of answering FAQ’s
Social media packages + collaborations, boosting discovery and social proof without the extra hassle
Display videos for tourism centres, receptions or living areas, to entertain guests while showcasing your business
Web banner videos, elevating the professionalism of your site and grabbing your customers attention
Images for use in large displays, brochures, profile pictures and online, designed for use with text or overlays
Content libraries supplied, stored and maintained, enabling efficient seasonal updates at minimal cost
Documentaries to compliment your business story and values using film festival, social media or TV distribution
Induction videos, inspiring and educating your staff to apply your business’s values and processes
Implementation instructions on how to make the most of deliverables using clear, achievable and planned methods
Most production companies can't follow you into the locations that make your offering unique. As a Coxswain skipper, Advanced Scuba Diver, Wave 2 Freediver, and commercial drone pilot, I've spent thousands of hours filming in your environment.
But the real difference you get goes far beyond gear and qualifications. I've lived in marine tourism operations my whole life — from my family tourism business on Dirk Hartog Island, to working as a guide for the Great Escape Charter Company, and hosting dive expeditions in the Maldives. You’ll be supported by processes I’ve learnt from the best in the world, while spending years consistently working with Cakewalk Media and the Blue Planet III team.
We’ve experienced similar operational pressures, and I know how I can help you alleviate them.
Value: Before entering into any agreement, we align on strategy, scope, timing, and the results you're after. I like to be sure what I charge will be a fraction of the value created for you. If agreed deliverables aren’t achieved due to an error on my end, you’ll receive a refund. I guarantee this because my work relies on great reviews and repeat bookings.
Efficiency: Every visual is planned, executed, and reviewed with precision and collaboration. As a small team, we can move and communicate with the speed nature based shoots demand: creating, pre-empting and capturing the special moments that can disappear so quickly.
Gear: If you understand the tech, I own a Pyxis 12K, Canon R5C and Sony A7Siii. I shoot 8K RAW video with gyro stabilisation, pre roll, 120fps slow motion and 12,800 ISO noise-free footage. Combined with an RS4 gimbal, two Nauticam underwater housings, two Mavic 3 pro drones, and a variety of lens, audio, tripod and action cam kits - there’s maximum efficiency, flexibility and security.
Structure: A shoot can have controlled, tight schedules and organised talent, creating the most beautiful moments as efficiently as possible. Or you can slot me into your experience to carefully work around real guests, capturing the most authentic moments possible without disrupting holidays. For best results, we’ll use a hybrid of both methods.

Theory and process don’t mean anything without results.

Check out some of my previous work and what others have to say…

Liam and Jade Ridgley: Perfect Nature Cruises

“The footage is unbelievable. Better than we hoped for and I can see you have put the time into editing. You really captured everything”

Planning around Monkey Mia’s best weather, I shot a day out on ‘Aristocat’. The use of multiple cameras, combined with my local wildlife experience, enabled us to pre-empt and capture each rare encounter from different angles, telling a more complete story.

This is a tourism centre display video we created, using both local talent and paying guests:

Beck Abercrombie: Ocean2Outback Adventures

“The video you made me is the most valuable thing, almost all of my bookings have come from it. I’m forever grateful and it was so fun.”

We covered most of the south west in four days, with minimal gear or pre production. For best results, I prefer extensive planning - but sometimes that just isn’t an option. So, with run and gun experience and a bit of extra time in the editing room, we made it work.

Here’s the full brand story video, using organised talent and a few clips I’d previously shot:

Yoland Bosiger: Producer, BBC Blue Planet III

‘Through Wills hard work, diligence, and attention to detail, he captured some of the standout shots of the sequence. Will is an extremely capable can-do individual who would be a huge asset to have on a natural history shoot in a remote region.’

I joined the team as a local skipper and camera assistant. After the main shoot, I was trusted with capturing some of the missing underwater macro, wide and remote shots.

The best footage is unreleased, but I’ve shot similar clips in the area during my own time: